Ongoing project--any suggestions/comments/critique appreciatedbr /br /Boynton, Robert S. a href="http://www.nytimes.com/2004/01/25/magazine/the-tyranny-of-copyright.html""The Tyranny of Copyright?"/a span style="font-style:italic;"The New York Times Magazine/span (January 25, 2004)br /br /Lessig, Lawrence. a href="http://www.free-culture.cc/freecontent/"span style="font-style:italic;"Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity./span/a (Penguin Press, 2004)br /br /Lethem, Jonathan. a href="http://www.radioopensource.org/the-ecstasy-of-influence/""The Ecstasy of Influence."/a span style="font-style:italic;"Open Source with Christopher Lydon/span (February 2, 2007)br /br /---. a href="http://www.harpers.org/archive/2007/02/0081387""The Ecstasy of Influence: A Plagiarism."/a span style="font-style:italic;"Harper's Magazine/span (February 2007)br /br /McLeod, Kembrew. a href="http://download.nowis.com/index.cfm?phile=FreedomExpression.htmltipe=text/html"span style="font-style:italic;"Freedom of Expression (R): Overzealous Copyright Bozos and Other Enemies of Creativity./span/a (Doubleday, 2005)br /br /Miller, Paul D., aka DJ Spooky that Subliminal Kid. a href="http://mitpress.mit.edu/books/chapters/0262633639chap2.pdf""In Through the Out Door: Sampling and the Creative Act."/a span style="font-style:italic;"Sound Unbound: Sampling Digital Music and Culture./span ed. Paul D. Miller. (MIT Press, 2008: 5-20.)br /br /a href="http://www.opensourcecinema.org/project/rip-remix-manifesto"span style="font-style:italic;"RiP: A Remix Manifesto/span/a (Brett Gaylor: 2008)br /br /Seitz, Matt Zoller. a href="http://dialogic.blogspot.com/2009/01/matt-zoller-seitz-copy-rites-youtube-vs.html"Copy Rites: YouTube vs. Kevin B. Lee/a span style="font-style:italic;"The House Next Door/span (Archive by Michael Benton: January 15, 2009) br /br /---. a href="http://kunst-der-vermittlung.de/artikel/matt-zoller-seitz-video-essay/""The Video Essay."/a span style="font-style:italic;"Kunst der Vermittlung/span (April 18, 2009)br /br /Striphas, Ted and Kembrew McLeod. a href="http://www.indiana.edu/~bookworm/strmcc-intro.pdf""STRATEGIC IMPROPRIETIES: CULTURAL STUDIES, THE EVERYDAY, AND THE POLITICS OF INTELLECTUAL PROPERTIES."/a span style="font-style:italic;"Cultural Studies/span 20.2/3 (2006)br /br /Vaidhyanathan, Siva. a href="http://onlinebooks.library.upenn.edu/webbin/metabook?id=copyrightswrongs""Copyrights and Copywrongs: The Rise of Intellectual Property and How it Threatens Creativity."/adiv class="blogger-post-footer"img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6323968-4017095694542973895?l=dialogic.blogspot.com'//div
Thursday, July 9, 2009
Copyright/Copyleft (Archive)
Ongoing project--any suggestions/comments/critique appreciatedbr /br /Boynton, Robert S. a href="http://www.nytimes.com/2004/01/25/magazine/the-tyranny-of-copyright.html""The Tyranny of Copyright?"/a span style="font-style:italic;"The New York Times Magazine/span (January 25, 2004)br /br /Lessig, Lawrence. a href="http://www.free-culture.cc/freecontent/"span style="font-style:italic;"Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity./span/a (Penguin Press, 2004)br /br /Lethem, Jonathan. a href="http://www.radioopensource.org/the-ecstasy-of-influence/""The Ecstasy of Influence."/a span style="font-style:italic;"Open Source with Christopher Lydon/span (February 2, 2007)br /br /---. a href="http://www.harpers.org/archive/2007/02/0081387""The Ecstasy of Influence: A Plagiarism."/a span style="font-style:italic;"Harper's Magazine/span (February 2007)br /br /McLeod, Kembrew. a href="http://download.nowis.com/index.cfm?phile=FreedomExpression.htmltipe=text/html"span style="font-style:italic;"Freedom of Expression (R): Overzealous Copyright Bozos and Other Enemies of Creativity./span/a (Doubleday, 2005)br /br /Miller, Paul D., aka DJ Spooky that Subliminal Kid. a href="http://mitpress.mit.edu/books/chapters/0262633639chap2.pdf""In Through the Out Door: Sampling and the Creative Act."/a span style="font-style:italic;"Sound Unbound: Sampling Digital Music and Culture./span ed. Paul D. Miller. (MIT Press, 2008: 5-20.)br /br /a href="http://www.opensourcecinema.org/project/rip-remix-manifesto"span style="font-style:italic;"RiP: A Remix Manifesto/span/a (Brett Gaylor: 2008)br /br /Seitz, Matt Zoller. a href="http://dialogic.blogspot.com/2009/01/matt-zoller-seitz-copy-rites-youtube-vs.html"Copy Rites: YouTube vs. Kevin B. Lee/a span style="font-style:italic;"The House Next Door/span (Archive by Michael Benton: January 15, 2009) br /br /---. a href="http://kunst-der-vermittlung.de/artikel/matt-zoller-seitz-video-essay/""The Video Essay."/a span style="font-style:italic;"Kunst der Vermittlung/span (April 18, 2009)br /br /Striphas, Ted and Kembrew McLeod. a href="http://www.indiana.edu/~bookworm/strmcc-intro.pdf""STRATEGIC IMPROPRIETIES: CULTURAL STUDIES, THE EVERYDAY, AND THE POLITICS OF INTELLECTUAL PROPERTIES."/a span style="font-style:italic;"Cultural Studies/span 20.2/3 (2006)br /br /Vaidhyanathan, Siva. a href="http://onlinebooks.library.upenn.edu/webbin/metabook?id=copyrightswrongs""Copyrights and Copywrongs: The Rise of Intellectual Property and How it Threatens Creativity."/adiv class="blogger-post-footer"img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6323968-4017095694542973895?l=dialogic.blogspot.com'//div
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